David Fodel > STEIM Orientation Jan. 12-19, 2010
I came to the STEIM orientation with the expectation of gaining deeper understanding of the commercial software they have developed, and to present to the staff several artistic projects I…
I came to the STEIM orientation with the expectation of gaining deeper understanding of the commercial software they have developed, and to present to the staff several artistic projects I…
During the introduction course at the STEIM institute my main focus was to see if there where possibilities to use the STEIM knowledge for my future works. In the summer…
Hello. I’m Giorgio, trumpet player and electronics-user from Italy. For a long period of time I’ve been using a number of midi/usb controllers ,but I never found the one that…
An interactive music area is a place where sound induces sound in specific rhythms and harmonic relations. The system indicates the difference between silence and sound and shows the pitch…
I’ve waited a while to write because I am currently traveling and collaborating with different artists around Europe. I have recognized recent changes in my practice that I attribute to my time at Steim.I will try to describe these changes and their relationship to Steim.
I went to Steim for orientation with the intention of assessing the facilities and resources and how they may apply to my practice.I was primarily thinking about a project called “Breathscape”, which uses audio and video elements to accentuate and elaborate on the breathing of movement artists.
What I found at Steim was a small group of very technically sound people, that not only design and apply software and hardware but also have a certain instinct for finding out what you are trying to do and proposing practical applications.I found the Lisa and JunXion workshops very informative, but I found the conversations invaluable.