STEIM Instruments & Interfaces masters program

STEIM, in collaboration with the Institute of Sonology, offers a two-year masters study entitled Instruments & Interfaces. The Instruments & Interfaces track will provide dedicated students with an in-depth exploration of the issues at stake when building new instruments for electronic music. This will be done through a combination of theoretical discussion, practical art-as-research, and formalized coursework between the labs at STEIM and the faculty at Sonology. This collaboration with the Institute of Sonology at the Royal Conservatory in The Hague, results in a fully accredited European Masters of Music degree. Students will have access to Sonology courses as well as opportunities at neighboring institutions such as the Royal Academy of Art and Leiden University.

Ideal candidates for the study are performing musicians, sound artists, interaction designers and software/hardware engineers with some musical background.

Over the last forty years STEIM has been an international destination for performing artists to explore new electronic instruments. With this masters program we are looking to share our body of knowledge and continue that tradition with the next generations of adventurous musicians and makers.

We look forward to hearing you.

 

General info:
http://www.sonology.org/UK/frameset-uk.html

Applications should be made via studielink:
Nederlands
http://www.koncon.nl/nl/Aanmelden%20en%20toelating/
English
http://www.koncon.nl/en/Application%20and%20enrollment/

Info on tuition and fees:
http://www.koncon.nl/en/Application%20and%20enrollment/Study%20Fees/

 

 


Current Students

 

PETER EDWPeter EdwardsARDS is an American artist and musician who has spent the last decade exploring experimental sound and light technologies and producing musical instruments and interactive installations.

After receiving a BFA in sculpture from The Rhode Island School of Design in 2000, he established the business casperelectronics through which he sells custom musical instruments and publishes information on circuit bending and hardware hacking. In 2005 Edwards developed the creative electronics department at Hampshire College where he served as adjunct faculty for two years. Since then he has regularly taught circuit bending workshops and written musical electronics tutorials for American DIY tech magazine Make.

Edwards performs regularly and speaks on topics of art and technology at institutions and arts events worldwide including The Piksel Festival (Bergen, Norway), Pixel (Paris, France), MIT’s Media Lab (Boston), The OFFF Festival (Paris, France), Sequences Festival (Reykjavik, Iceland) and at universities across the US. He has produced commissioned installations for The Tang Museum (Saratoga Springs, NY), The Contemporary Artists Center (Troy, NY), The Clock Tower Gallery (Manhattan NY), Georgia Southern University (Statesboro, GA) and has served as a resident artist at STEIM, EMPAC(Troy, NY), Perte De Signal(Montreal, CA), The Free103point9 Wave Farm(Acra, NY) and The Flux Factory (Long Island City, NY).

Peter’s research period at STEIM will be focused on making and performing with audio-visual devices which service the desire to hack and innovate while possessing the potential to be musically and profoundly expressive. View some of Peter’s early masters work on YouTube.

casperelectronics.com

 

Jan KlugJAN KLUG is an Aachen-born musician, composer and media designer who focuses on the use of computers and programming as creative tools for the creation of music performances and live video. In 1999 he graduated from studies in jazz saxophone at the Prins Claus Conservatory in Groningen, and since then has worked on several projects in dance, theater and film. He has performed extensively, blending acoustic and electronic music, video and programming – solo and in collaborations. Since 1996 he has been a permanent member of the Dutch group “Poets from Epibreren”, where he specialized in the musical accompaniment of poetry and literature, a practice he continues to pursue today through projects with Dutch writer Christine Otten. Since 2008, Jan is a core teacher of the master study ‘Interactive Media and Environments’ (MFA IME) at the Frank Mohr Institute (FMI) of Academy Minerva in Groningen, an interdisciplinary programme of advanced education in computer-related media art and experimental art research.

Jan’s research involves the development of a new DSP software and control system involving gestural hardware controllers which allow for intuitive, spontaneous, and instantaneous action/reaction needed for free improvisation. His research builds upon his pre-existing live performance system with the intent of condensing the complexity of possible parameters by meaningful mapping into an intuitive control system. By adding the possibilities of gestural controls to this system, he hopes to create an expressive and meaningful control-‘vocabulary’, giving the system the properties of a true instrument which will require practicing, experimentation and performance-experience.

http://www.janklug.com/research/

 

DAN GIBSON is an English musician and sound artist. In 2011 he completed a Ba (Hons) Degree in Creative Music Technology at the University Centre Doncaster.

Dan also creates music using the pseudonym ‘noisesinthenight’ which aims to explore the sonic subtlety, textural nuance and dynamic intensity found in the natural soundscape.

As a member of the band ‘Third Gold Bird’, he has contributed to numerous recordings and performances using a combination of acoustic and digital sound sources. As a result of the improvised and collaborative nature of this music, Dan has developed a long term interest in the creation of interfaces for intuitive musical expression.

Dan’s research at STEIM aims to combine voltage control patching interfaces with DSP software in order to provide an intuitive and tangible interface for the realtime exploration, manipulation and organisation of sound. This research will also aim to provide the spontaneous and expressive control required in improvisational contexts through the use of gestural interfaces and dynamic mapping techniques.

FLORENT TURPIN

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