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X-WR-CALNAME:STEIM
X-WR-CALDESC:Studio for Electro-Instrumental Music
X-WR-TIMEZONE:Europe/Amsterdam
BEGIN:VEVENT
DTSTAMP:20120220T104102Z
LAST-MODIFIED:20120220T151902Z
UID:472@http://steim.org
URL:http://steim.org/event/sonic-acts-in-collaboration-with-steim-sonic-acts-tr
 avelling-time/
SUMMARY:SONIC ACTS in collaboration with STEIM:  SONIC ACTS &#8211\; TRAVEL
 LING TIME
DESCRIPTION;ALTREP="http://steim.org/event/sonic-acts-in-collaboration-with
 -steim-sonic-acts-travelling-time/":\nThe bi-annual Sonic Acts Festival sho
 wcasing works at the cutting edge of art\, technology\, music and science w
 ill be held in Amsterdam from 23 to 26 February 2012. Over a period of four
  days Sonic Acts presents Travelling Time\, an ode to the human experience 
 of time. The festival takes place at seven different locations: the Paradis
 o\, De Balie\, Muziekgebouw aan ’t IJ\, NIMk\, SMART Project Space\, STEIM 
 and Temporary Stedelijk 3.\nClick here for the program.\nThe festival theme
 \nTime is a complex and ambiguous concept. Relativity theorists and quantum
  mechanics have tinkered with the seemingly unambiguous concept of time sin
 ce the beginning of the previous century. Art\, film and music make abstrac
 t notions of time tangible and comprehensible\, and manipulate how we exper
 ience it. The ongoing development and implementation of technology constant
 ly challenge\, change and undermine our perception of time. Communication n
 etworks function at the speed of light\, and computers process data in real
  time\, without human intervention. The rapid advances in technology are cr
 eating a gap between ‘machine time’ and ‘human time’. Travelling Time is a 
 quest to reveal the significance and the intricacies of time and how we exp
 erience it.\nTravelling Time examines the need for speed when performing im
 provised music\, and the unavoidable amount of time that is spent programmi
 ng or constructing an artwork\, as well as time travel and how art can be a
  vehicle for imaginary journeys. The four-day festival brims with performan
 ces\, lectures\, exhibitions and presentations that intensify the experienc
 e of time.\nLive Performances\nA series of performances in SMART Project Sp
 ace by Catherine Christer Hennix + The Choras(s)an Time-Court Mirage (inclu
 ding Amelia Cuni\, Robin Hayward\, Franz Hautzinger\, Hillary Jeffery and P
 aul Schwingenschlögl) promises to be a highpoint of the festival. Hennix’s 
 post-minimal drones elaborate on La Monte Young’s concepts\, and attempt to
  halt our experience of time. The Paradiso forms the heart of the performan
 ce programme\, with its numerous and surprising concerts\, performances\, f
 ilm screenings and installations. The concert by the American composer Paul
 ine Oliveros\, the originator of Deep Listening and a key figure in music o
 f the past 50 years is not to be missed. She celebrates her 80th birthday i
 n 2012 and comes to Amsterdam especially for Sonic Acts.\nSynthesizer speci
 alist Eleh\, who has released a split LP with Oliveros\, will shroud the Pa
 radiso in analogue drones on the same evening. The music programme also inc
 ludes cybernetic music by the composer Roland Kayn\, who passed away last y
 ear\; post-dubstep performances by infra-sub specialists Roly Porter and Em
 ptyset\; radical asynchronous rhythms from Mark Fell\; and process-based mu
 sic by Keith Fullerton Whitman. Extensive attention is also paid to music b
 y Wandelweiser composers\, including Michael Pisaro and Taku Sugimoto\, who
  integrate silence in their works to intensify our experience of time.\nCon
 ference\nMusicians\, academics\, sound artists and new media adepts will ga
 ther for the Sonic Acts conference that will be held in De Balie from 23 to
  26 February: four days of inspiration\, immersion and discussions\, with n
 umerous lectures\, presentations and interviews that reveal how artists ope
 rate at the boundaries of art\, technology and science. In addition to the 
 musicians and artists such as Catherine Christer Hennix\, Michael Pisaro\, 
 Mark Fell and Pauline Oliveros mentioned above\, the conference is also an 
 opportunity for academics and philosophers to share their thoughts and idea
 s. George Dyson – whose new book\, Turing’s Cathedral\, will be published i
 n early 2012 – talks about computer time\; Siegfried Zielinski discusses hi
 s theories relating to Deep Time and Variantology\; Hillel Schwartz talks a
 bout noise and time – his 1000-page Making Noise. From Babel to the Big Ban
 g and Beyond has just been published\; John Geiger discusses extreme mental
  and physical experiences\; and David Edgerton dives into the history of te
 chnology and expounds on 'the Shock of the Old'.\nExhibition &amp\; films\n
 The exhibition continues until 15 April 2012 at NIMk and includes light and
  laser installations by Mark Fell and Joe Gilmore\, Space Surrogate by Phil
 ip Lachenmann\, and much more. Also on show is Paul Sharits’ installation S
 hutter Interface which has never been seen in Europe before.\nNIMk\, Sonic 
 Acts and STEIM are proud to announce the new joint Artist in Residence proj
 ect City Velocities – Body Speed by Tao G. Vrhovec Sambolec. The installati
 on will be presented as part of the Sonic Acts – Travelling Time exhibition
  at NIMk from Februari 23 – April 15\, 2012.\nMore info:  http://nimk.nl/nl
 /city-velocities-body-speeds\nBook \nA lavishly illustrated publication dis
 cusses various aspects of the festival theme from different perspectives. T
 he book contains a.o.  interviews with Catherine Christer Hennix\, Mark Fel
 l\, Keith Fullerton Whitman and Hilary Jeffery\, and essays by Siegfried Zi
 elinski\, Omar Muñoz-Cremers (about SF and time travel)\, Thomas Patteson (
 about Roland Kayn)\, and others.\nMore information: http://www.sonicacts.co
 m/2012/\n------------------------------------------------------------------
 -----------------------------------------------\nFESTIVAL TICKET SALES HAVE
  STARTED\nPre-sale of all individual and comprehensive tickets has started 
 via our site.\nDo you want to attend all the events? A conference and festi
 val pass costs €85.00 (discount €65.00). If you want to attend more than on
 e event in the music programme\, the Festival pass costs €55.00 (discount €
 45\,00).\n-----------------------------------------------------------------
 ------------------------------------------------\nCALL FOR VOLUNTEERS\nSoni
 c Acts is looking for student volunteers who are interested in technology\,
  art\, new media and electronic music to assist with communication and prod
 uction. Furthermore\, we will need bloggers\, photographers and stewards fo
 r the information desk and artist handling. Students who volunteer for Soni
 c Acts are offered a unique opportunity to gain valuable work experience.\n
 Besides contributing to travel expenses and having free entrance to the con
 ference and festival\, students could use this voluntary work to gain indiv
 idual credits that are obligatory in some programs.\nIf you have any questi
 ons\, please do not hesitate to contact Julia Nüßlein at: vrijwillig@sonica
 cts.com or +31-20- 6264521.\nPlease help us to spread the word!\n
X-ALT-DESC;FMTTYPE=text/html:<p><img src="http://steim.org/wp/wp-content/up
 loads/2012/02/20120118beeldmerk_satt1-370x108.jpg" alt="Time travelling" ti
 tle="20120118beeldmerk_satt" width="370" height="108" class="alignnone size
 -medium wp-image-474" /></p>\n<p>The bi-annual Sonic Acts Festival showcasi
 ng works at the cutting edge of art\, technology\, music and science will b
 e held in Amsterdam from 23 to 26 February 2012. Over a period of four days
  Sonic Acts presents Travelling Time\, an ode to the human experience of ti
 me. The festival takes place at seven different locations: the Paradiso\, D
 e Balie\, Muziekgebouw aan ’t IJ\, NIMk\, SMART Project Space\, STEIM and T
 emporary Stedelijk 3.</p>\n<p>Click <a href="http://2012.sonicacts.com/inde
 x.php#programme" target="_blank">here</a> for the program.</p>\n<p><strong>
 The festival theme</strong><br />\nTime is a complex and ambiguous concept.
  Relativity theorists and quantum mechanics have tinkered with the seemingl
 y unambiguous concept of time since the beginning of the previous century. 
 Art\, film and music make abstract notions of time tangible and comprehensi
 ble\, and manipulate how we experience it. The ongoing development and impl
 ementation of technology constantly challenge\, change and undermine our pe
 rception of time. Communication networks function at the speed of light\, a
 nd computers process data in real time\, without human intervention. The ra
 pid advances in technology are creating a gap between ‘machine time’ and ‘h
 uman time’. Travelling Time is a quest to reveal the significance and the i
 ntricacies of time and how we experience it.</p>\n<p>Travelling Time examin
 es the need for speed when performing improvised music\, and the unavoidabl
 e amount of time that is spent programming or constructing an artwork\, as 
 well as time travel and how art can be a vehicle for imaginary journeys. Th
 e four-day festival brims with performances\, lectures\, exhibitions and pr
 esentations that intensify the experience of time.</p>\n<p><strong>Live Per
 formances</strong><br />\nA series of performances in SMART Project Space b
 y <strong>Catherine Christer Hennix + The Choras(s)an Time-Court Mirage</st
 rong> (including <strong>Amelia Cuni</strong>\, <strong>Robin Hayward\, Fra
 nz Hautzinger\, Hillary Jeffery and Paul Schwingenschlögl</strong>) promise
 s to be a highpoint of the festival. Hennix’s post-minimal drones elaborate
  on La Monte Young’s concepts\, and attempt to halt our experience of time.
  The Paradiso forms the heart of the performance programme\, with its numer
 ous and surprising concerts\, performances\, film screenings and installati
 ons. The concert by the American composer <strong>Pauline Oliveros</strong>
 \, the originator of Deep Listening and a key figure in music of the past 5
 0 years is not to be missed. She celebrates her 80th birthday in 2012 and c
 omes to Amsterdam especially for Sonic Acts.</p>\n<p>Synthesizer specialist
 <strong> Eleh</strong>\, who has released a split LP with Oliveros\, will s
 hroud the Paradiso in analogue drones on the same evening. The music progra
 mme also includes cybernetic music by the composer <strong>Roland Kayn</str
 ong>\, who passed away last year\; post-dubstep performances by infra-sub s
 pecialists <strong>Roly Porter</strong> and <strong>Emptyset</strong>\; rad
 ical asynchronous rhythms from <strong>Mark Fell</strong>\; and process-bas
 ed music by <strong>Keith Fullerton Whitman</strong>. Extensive attention i
 s also paid to music by <strong>Wandelweiser</strong> composers\, including
  <strong>Michael Pisaro</strong> and <strong>Taku Sugimoto</strong>\, who i
 ntegrate silence in their works to intensify our experience of time.</p>\n<
 p><strong>Conference</strong><br />\nMusicians\, academics\, sound artists 
 and new media adepts will gather for the Sonic Acts conference that will be
  held in De Balie from 23 to 26 February: four days of inspiration\, immers
 ion and discussions\, with numerous lectures\, presentations and interviews
  that reveal how artists operate at the boundaries of art\, technology and 
 science. In addition to the musicians and artists such as Catherine Christe
 r Hennix\, Michael Pisaro\, Mark Fell and Pauline Oliveros mentioned above\
 , the conference is also an opportunity for academics and philosophers to s
 hare their thoughts and ideas. <strong>George Dyson</strong> – whose new bo
 ok\, Turing’s Cathedral\, will be published in early 2012 – talks about com
 puter time\; <strong>Siegfried Zielinski</strong> discusses his theories re
 lating to Deep Time and Variantology\; <strong>Hillel Schwartz</strong> tal
 ks about noise and time – his 1000-page <em>Making Noise. From Babel to the
  Big Bang and Beyond</em> has just been published\; <strong>John Geiger</st
 rong> discusses extreme mental and physical experiences\; and David Edgerto
 n dives into the history of technology and expounds on 'the Shock of the Ol
 d'.</p>\n<p><strong>Exhibition &amp\; films</strong><br />\nThe exhibition 
 continues until 15 April 2012 at NIMk and includes light and laser installa
 tions by <strong>Mark Fell</strong> and <strong>Joe Gilmore</strong>\, <em>
 Space Surrogate</em> by <strong>Philip Lachenmann</strong>\, and much more.
  Also on show is <strong>Paul Sharits</strong>’ installation <em>Shutter In
 terface</em> which has never been seen in Europe before.</p>\n<p><strong>NI
 Mk</strong>\, <strong>Sonic Acts</strong> and <strong>STEIM</strong> are pr
 oud to announce the new joint Artist in Residence project <strong>City Velo
 cities – Body Speed</strong> by <strong>Tao G. Vrhovec Sambolec</strong>. T
 he installation will be presented as part of the Sonic Acts – Travelling Ti
 me exhibition at NIMk from Februari 23 – April 15\, 2012.</p>\n<p>More info
 :  <a href="http://nimk.nl/nl/city-velocities-body-speeds" target="_blank">
 http://nimk.nl/nl/city-velocities-body-speeds</a></p>\n<p><strong>Book </st
 rong><br />\nA lavishly illustrated publication discusses various aspects o
 f the festival theme from different perspectives. The book contains a.o.  i
 nterviews with Catherine Christer Hennix\, Mark Fell\, Keith Fullerton Whit
 man and Hilary Jeffery\, and essays by Siegfried Zielinski\, Omar Muñoz-Cre
 mers (about SF and time travel)\, Thomas Patteson (about Roland Kayn)\, and
  others.</p>\n<p><strong>More information</strong>: <a href="http://www.son
 icacts.com/2012/" target="_blank">http://www.sonicacts.com/2012/</a></p>\n<
 p>-------------------------------------------------------------------------
 ----------------------------------------</p>\n<p><strong>FESTIVAL TICKET SA
 LES HAVE STARTED</strong><br />\nPre-sale of all individual and comprehensi
 ve tickets has started via our <a href="http://www.sonicacts.com/2012/ticke
 ts" target="_blank">site</a>.</p>\n<p>Do you want to attend all the events?
  A conference and festival pass costs €85.00 (discount €65.00). If you want
  to attend more than one event in the music programme\, the Festival pass c
 osts €55.00 (discount €45\,00).</p>\n<p>-----------------------------------
 ---------------------------------------------------------------------------
 ---</p>\n<p><strong>CALL FOR VOLUNTEERS</strong></p>\n<p>Sonic Acts is look
 ing for student volunteers who are interested in technology\, art\, new med
 ia and electronic music to assist with communication and production. Furthe
 rmore\, we will need bloggers\, photographers and stewards for the informat
 ion desk and artist handling. Students who volunteer for Sonic Acts are off
 ered a unique opportunity to gain valuable work experience.</p>\n<p>Besides
  contributing to travel expenses and having free entrance to the conference
  and festival\, students could use this voluntary work to gain individual c
 redits that are obligatory in some programs.</p>\n<p>If you have any questi
 ons\, please do not hesitate to contact Julia Nüßlein at: vrijwillig@sonica
 cts.com or +31-20- 6264521.</p>\n<p>Please help us to spread the word!</p>\
 n
DTSTART;VALUE=DATE:20120223
DURATION:P4D
CLASS:PUBLIC
STATUS:CONFIRMED
END:VEVENT
END:VCALENDAR
