BEGIN:VCALENDAR
PRODID:-//icalevents.anmari.com//amr-events 3.0.9//EN
VERSION:2.0
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:STEIM
X-WR-CALDESC:Studio for Electro-Instrumental Music
X-WR-TIMEZONE:Europe/Amsterdam
BEGIN:VEVENT
DTSTAMP:20121114T154237Z
LAST-MODIFIED:20121114T161529Z
UID:4379@http://steim.org
URL:http://steim.org/event/open-studio-artist-talks-w-chikashi-miyama-jp-martin
 -howse-uk/
SUMMARY:Open Studio Artist Talks: w/ Chikashi Miyama (JP)\, Martin Howse (U
 K)
DESCRIPTION;ALTREP="http://steim.org/event/open-studio-artist-talks-w-chika
 shi-miyama-jp-martin-howse-uk/":Thursday 6 December STEIM presents artist t
 alks by resident artists Chikashi Miyama and Martin Howse. Entry is free.\n
 Talks begin at 14:00 and will end at 17:00.\n14:00 - Chikashi Miyama\n15:15
  - Break\n15:45 - Martin Howse\nLocation: STEIM\, Achtergracht 19\, Amsterd
 am\nChikashi Miyama is a composer\, video artist\, interface designer\, per
 former and author. He received a MA from Kunitachi College of Music\, Tokyo
 \, Japan\, a Nachdiplom from Music academy of Basel\, Switzerland\, and a P
 h.D from University at Buffalo\, New York\, USA. In 2011\, he received a re
 search grant from DAAD and worked as a visiting researcher at ZKM\, Karlsru
 he\, Germany. His compositions have received an ICMA student award\, a Chan
 cellor's award from State University of New York\, a second prize in SEAMUS
  commission competition\, a special prize in Destellos Competition\, and a 
 honorable mention in the Residence Prize section of the Bourges Electroacou
 stic Music Competition. His works and papers have been accepted by ICMC twe
 lve times\, by NIME four times\, and selected by various international fest
 ivals in more than 18 countries. He is currently teaching computer music as
  a lecturer at the college of music and dance in Cologne\, Germany. His boo
 k about Pure-Data\, an audio software programming environment developed by 
 M.Puckette\, will be published in January 2013.\n\n http://chikashi.net/\nM
 artin Howse operates within the fields of discourse\, speculative hardware 
 (environmental data in open physical systems)\, code (an examination of lay
 ers of abstraction)\, free software and the situational (performances and i
 nterventions). Heavily improvised\, playing with the collapse of massed\, b
 arely functional salvaged equipment and software systems made manifest in s
 ound/noise and image\, Howse presents a complex\, process-driven constructi
 vist performance\; the symphonic rise of the attempt to piece together fuga
 l systematics is played out against the noise of collapse and machine crash
  at the deserted border of control.\n\nhttp://www.1010.co.uk/org/\n
X-ALT-DESC;FMTTYPE=text/html:<p>Thursday 6 December STEIM presents artist t
 alks by resident artists Chikashi Miyama and Martin Howse. Entry is free.</
 p>\n<p>Talks begin at 14:00 and will end at 17:00.</p>\n<p><em>14:00 - Chik
 ashi Miyama</em></p>\n<p><em>15:15 - Break</em></p>\n<p><em>15:45 - Martin 
 Howse</em></p>\n<p><em>Location: <em>STEIM\, Achtergracht 19\, Amsterdam</e
 m></em></p>\n<p><strong>Chikashi Miyama</strong> is a composer\, video arti
 st\, interface designer\, performer and author. He received a MA from Kunit
 achi College of Music\, Tokyo\, Japan\, a Nachdiplom from Music academy of 
 Basel\, Switzerland\, and a Ph.D from University at Buffalo\, New York\, US
 A. In 2011\, he received a research grant from DAAD and worked as a visitin
 g researcher at ZKM\, Karlsruhe\, Germany. His compositions have received a
 n ICMA student award\, a Chancellor's award from State University of New Yo
 rk\, a second prize in SEAMUS commission competition\, a special prize in D
 estellos Competition\, and a honorable mention in the Residence Prize secti
 on of the Bourges Electroacoustic Music Competition. His works and papers h
 ave been accepted by ICMC twelve times\, by NIME four times\, and selected 
 by various international festivals in more than 18 countries. He is current
 ly teaching computer music as a lecturer at the college of music and dance 
 in Cologne\, Germany. His book about Pure-Data\, an audio software programm
 ing environment developed by M.Puckette\, will be published in January 2013
 .</p>\n<p><img title="Chikashi Miyama Portrait" src="http://steim.org/wp/wp
 -content/uploads/2012/11/Chikashi-Portrait.jpg" alt="Chikashi Miyama Portra
 it" width="320" height="240" /></p>\n<p><a title="Chikashi Miyama" href=" h
 ttp://chikashi.net/" target="_blank"> http://chikashi.net/</a></p>\n<p><str
 ong>Martin Howse</strong> operates within the fields of discourse\, specula
 tive hardware (environmental data in open physical systems)\, code (an exam
 ination of layers of abstraction)\, free software and the situational (perf
 ormances and interventions). Heavily improvised\, playing with the collapse
  of massed\, barely functional salvaged equipment and software systems made
  manifest in sound/noise and image\, Howse presents a complex\, process-dri
 ven constructivist performance\; the symphonic rise of the attempt to piece
  together fugal systematics is played out against the noise of collapse and
  machine crash at the deserted border of control.</p>\n<p><img title="Marti
 n Howse portrait" src="http://steim.org/wp/wp-content/uploads/2012/11/61203
 01506_45e07a8f48_o-370x553.jpg" alt="Martin Howse portrait" width="222" hei
 ght="332" /></p>\n<p><a href="http://www.1010.co.uk/org/" target="_blank">h
 ttp://www.1010.co.uk/org/</a></p>\n
LOCATION:STEIM\, Achtergracht 19 1017WL Amsterdam
DTSTART;TZID=Europe/Amsterdam:20121206T140000
DURATION:PT3H
CLASS:PUBLIC
STATUS:CONFIRMED
END:VEVENT
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