Kjetil comes from the KTH Computer Science and Communication where he is a PhD researcher. He burns for scratching and loves the sound but after practicing for an hour he decided that he was no longer interested in learning to scratch. His interests are in scratch analysis and interface design. He shows us a fascinating video of his own practice which centres on the designing interfaces for new scratch style music.
Kjetil outlined the mix of old and new technology that makes up turntablism. He claims that hip-hop has demanded a new form of instrument that is now concerned not just with rhythm but also melody. On the topic of the turntable metaphor, differing from Taku he does not believe in the rotating disc metaphor for media playback. He believes that scratching has reached a turning point in popularity after its high in the 90s.